My husband and I visited the island hoping for winter sun, but found there was so much more to do there, not only riding camels! A highlight of the trip was discovering the work of their most famous artist, Cesar Manrique (1919 - 1992). I have to admit, we'd not heard of him before. He had an amazing career as an artist, architect, designer, sculptor, and activist. When tourism took off in Lanzarote in the late 1960s, he was the driving force in the campaign to prevent the island being spoiled by insensitive development, with the result that, for the most part, you see low-rise buildings in the traditional Moorish style, rather than concrete and glass monsters.
One of Manrique's houses is now home to the Cesar Manrique Foundation, a beautiful, airy gallery where some of his work is displayed.
In the basement, we marvelled at the rooms he designed out of the spaces left by gigantic larva bubbles, the result of Lanzarote's volcanic terrain. The walls are partly plastered and whitewashed and partly left in the original basalt rock, creating a striking contrast.
Another treat was a visit to the house where he spent the last years of his life, before, tragically, he died in a car crash. The old building he restored is delightful: traditional in materials and construction but brought up to date with all mod cons and a gorgeous pool, and surrounded by colourful gardens.
Manrique was interested in the art of painters like Mark Rothko and Jackson Pollock and emulated the scale of their paintings using vast canvases that he worked on on the floor of his studio. He also loved to use a variety of materials to build up texture in his paintings, for example sawdust, resin and glue.
The house is on the edge of a small town in the north of the island called Haria. I like to think that Manrique, a ferociously hard worker, occasionally found time to enjoy an espresso and a chat with other locals at the delightful café in the shady main street.
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