Meet Sara Rosett, a Queen of Cozy Crime

I'm delighted to welcome USA Today and Audible bestselling author, Sara Rosett, to my blog. Sara writes light-hearted mysteries for readers who enjoy puzzling whodunits, atmospheric settings, and quirky characters. She is the author of the Ellie Avery series, the On the Run series, the Murder on Location series, and the High Society Lady Detective series. Sara also teaches an online course, How to Outline a Cozy Mystery. Publishers Weekly called her books "satisfying," "well-executed," and "sparkling." She loves to get new stamps in her passport and considers dark chocolate a daily requirement.

Sarah, welcome, would you like to tell us a bit more about your career?

Sure! I started out with a traditional publisher for my first series, the Ellie Avery series. Those books are about a mom who is a military spouse. She finds murder and mayhem wherever she goes! I branched out into indie publishing for my next two series—the On the Run series (travel, intrigue, and a dash of romance) and the Murder on Location series (cozies about a location scout who travels around the English countryside looking for filming locations for Jane Austen adaptations.) Recently I moved to historical mysteries with the High Society Lady Detective series. It’s set in 1920s England.

Olive Belgrave and Kate Sharp, your detectives, are both feisty, independent ladies. How did you go about creating their characters? Is there anything of yourself in them?

I think there’s always a little of myself in the characters I write about. Kate is much more “take-charge” than I am. She sees a problem and wants to solve it, which is a good characteristic for an amateur sleuth! I’d read an interview with a location scout and thought it sounded like a fascinating profession, so I dug in and researched it. Kate grew out of what I learned about location scouting and the type of personality it takes to succeed in the profession. For Olive, I knew I wanted to write about a young woman who was brought up as a lady, but who wanted to make her own way in the world. I wanted her to be smart and plucky and have a sense of humor. Her background with the growing up connected to high society is both a help and and a hindrance for Olive.

Olive is a name one doesn’t hear very often nowadays, and it has a great period ring to it. I imagine it’s no accident that her surname isn’t a million miles from the swanky London district of Belgravia! How do you choose names for your characters and how highly do you rate the importance of names in fiction?

Names are so important in fiction! I love deciding on character names. For the High Society Lady Detective series I searched historical name lists to find period names. But sometimes it takes a while to work out the right name for a character. When I began writing Murder at Archly Manor, I named the main character Violet, but the name wasn’t a perfect fit. Then I realized that Olive, the name I’d given to a cousin was a better choice. It was a classic name, but had a little extra zing to it that I wanted. I swapped the names and it felt right.

Why do you write mysteries?

I’ve always loved reading mysteries. I enjoy the puzzle aspect of the plot. I grew up on Nancy Drew and Trixie Belden. I moved on to Mary Stewart and Elizabeth Peters. When I sat down to attempt to write a novel, I knew it would be a mystery.

What’s the most difficult part about writing for you? What do you enjoy the most?

Getting the first draft down is the most difficult part for me. Once I have “the bones” done I go back and revise. I like the revision stage much more. Research is my absolute favorite part. If I’m not careful, I can lose hours reading about train schedules in 1923 or what type of food was served at The Savoy. Fun stuff!

How do you go about the historical research for your novels? What drew you to the times you’ve chosen?

I enjoy Golden Age mysteries. Agatha Christie, Dorothy L. Sayers, and Patricia Wentworth are some of my favorite authors. I find interesting tidbits about everyday life in fiction from the 1920s and 1930s. I also read quite a bit of nonfiction about that time period, and little details from those books have become important clues and red herrings. Browsing vintage images on Pinterest and watching Downton Abbey are all “research” in my book.

Do you have a special place where you like to write?

I write in my office, which has a window at one side of my desk. I need that window! For some reason I find it easier to write near a window. I suppose it’s the fact that I can gaze outside when I get stuck!

Have any other writers influenced your work?

Mary Stewart’s classic romantic suspense books were some of the first “grown-up” books I read. I loved that the women were always clever and resourceful. The exotic locations were great, too! Stewart had a wonderful way of capturing settings. Reading her books inspired me to find the tiny details that make a reader feel like they’re right there with the protagonist, experiencing the story along with her.

What are you working on now?

I’m finishing a book for my travel mystery series, the On the Run series, and then I’ll focus on promotion for the release of the fourth book in the High Society Lady Detective series, Murder in Black Tie. I have more books planned in that series and will be working on those. I’m having so much fun in the nineteen twenties and readers are enjoying them, so I have to write more!

Steven King once said 'If you don't have time to read, you don't have the time or the tools to write.' Do you agree?

Absolutely! Reading is what I do in my down time. If I don’t have a book to read, I get antsy! I learn so much from the reading I do for pleasure. As a writer, it’s hard to turn my “author brain” off and just enjoy the story, but I do try to do that. However, I’ll often be reading along and I’ll notice things that I like—or things that bother me—about a story. I mull over them and then I can either incorporate those techniques—or avoid them!—in my own writing.

You can find out more about Sara  on social media.

▪      Website: http://www.SaraRosett.com

▪      Instagram: https//www.instagram.com/sararosett/

▪      Bookbub: https://www.bookbub.com/authors/sara-rosett

▪      Twitter: @SaraRosett http://twitter.com/sararosett

▪      Pinterest:  http://pinterest.com/srosett/

▪      Facebook:  https://www.facebook.com/AuthorSaraRosett

▪      GoodReads:  http://www.goodreads.com/author/show/256977.Sara_Rosett

▪      LibraryThing: http://www.librarything.com/profile/SaraRosett

A Moving Tribute

Runnymede in Berkshire is famous as the place where in 1215, the Magna Carta was sealed by King John at the instigation of his barons. It’s a fascinating place to visit. The American Memorial and the memorial to JFK have been there for many years, but the 800th anniversary added new features.

 One of these is The Jurors, twelve bronze chairs that incorporate images and symbols of humanity’s struggle for freedom, the rule of law and equal rights.

 Themes range from a tribute to Phillis Wheatley, the first African American woman to be published (1773) and Mary Prince, the first woman to present an anti-slavery petition to the British parliament (1828), to the oil tanker Exxon Valdez. It was the huge spillage from this tanker that led to the establishment of many of today’s principles of environmental conduct. There is also a model of the key to Nelson Mandela’s prison cell and of one of the keys to the notorious Bastille prison that was presented to George Washington after the French Revolution.

Other symbols are more abstract, including a representation of the  ancient Egyptian god, Ma’at. The god is shown weighing a human heart against a feather to decide whether the owner is fit to enter paradise. This symbol is remembered in the modern scales of justice.

With so much to look at and reflect on, it’s a place to linger. The National Trust, who care for Runnymede, have a great deal of interesting information on their website  if you'd like to find out more.

https://www.nationaltrust.org.uk/runnymede/features/what-does-the-jurors-represent

I finished my day with a visit to the Air Force Memorial - a humbling reminder of those who gave their lives for freedom.

Bestselling mystery author, Faith Martin, talks about astrophysics, Hereward the Wake, and writing success.

Faith, welcome and many thanks for joining me. Your books are enjoyed by legions of murder mystery fans, would you like to tell readers how you became a writer?

Thank you for inviting me, Harriet. I started writing when I became a carer for my parents and needed something to do to tax my mind/creativity.

Hillary Greene and Jenny Starling are both strong women but still sympathetic and engaging. How did you go about creating their characters? Is there anything of yourself in them?

I created Hillary Greene when Morse was dominating Oxford, so I wanted a strong female character who might try to compete! I've lived near the Oxford Canal all my life, so having her live on a narrow boat seemed ideal - and could give my readers a glimpse into a different kind of lifestyle. Jenny Starling is also strong, but much funnier, and she is the 'voice' for my more plot-driven whodunits. Her job is to navigate my readers around the clues and red herrings, interview the suspects and lead them to their own conclusions as to who the killer is, before the big reveal. So, the reader learns less about her private life than about Hillary's, as the police procedurals are more character-driven, whereas the murder mysteries are more about solving the puzzle. But I wanted both women to be strong, independent and a 'character' in their own - very different - right.

I wish there was something of myself in both of them. Alas, I can't cook (unless you count warming up shop-bought chicken Kiev in the oven) so Jenny Starling would be disgusted with me. And I am nowhere near as competent or brave as Hillary! If I was confronted by an armed robber I'd probably just squeak and fall over! So, ditto for Hillary. I think though that both these characters have traits which I'd like to have, and if I live vicariously through them - well, so do my readers, so I'm in good company!

Why do you write the kind of books you do?

I like to write the kind of books I like to read. Don't forget, I was a reader long before I began writing. I loved the Agatha Christie books when I was in my teens, hence I've always wanted to write those kinds of books. And later, when great characters/police procedurals like Rebus and DI Banks came out, I loved those too - hence DI Hillary Greene.

What do you enjoy doing when you’re not writing?

I'm a full-time writer, so I don't have much time - but I have a dog, and like walking him in the countryside. I love wildlife, nature, flora etc, and as you've probably noticed, a lot of that seeps into my novels. 

With dozens of published books to your credit and approaching a million sales for the D I Hillary Greene series alone, you must have a very strong work ethic. How do you keep going?

Yes, the D I Hillary Greene series sold over a million copies worldwide in almost 1 year exactly, and I was absolutely stunned. Never thought or imagined that could happen, and a lot of it is due to Joffe Books and their great promotions. At one point I think she was No 1 in the UK and Australia and also in the USA and Canada top 50 too! I write every day (or in between books, researching and plotting the next one.) I've always loved writing, and I suppose I would feel guilty if I wasn't working. I grew up in a working-class family and I would probably get bored if I was idle! Right now, I have deadlines to meet for Harper Collins HQ's Ryder and Loveday series. The next book is due in October - so I'm not allowed to slack! But creating so many different characters, in so many genres, and set in different times (Ryder and Loveday are set in the 1960s) is always pushing me to come up with something different. I think this helps me stay 'fresh' and so provides my readers with 'fresh' things too. (At least that's what I hope it does!) 

 What’s the most difficult part about writing to you? What do you enjoy the most?

The only difficult thing I find about writing is sometimes getting motivated - I've been writing for 30 years now and have had more than 50 books published. But once I put the computer on and look at a blank page, I can feel my characters clamouring to get out and onto the screen - so away I go. And it is very satisfying writing a funny scene for Jenny (usually with an animal antagonist) or giving Trudy Loveday an emotional moment, or a hard lesson to learn about women's roles back before the 'swinging sixties' really got going. But I think most writers will tell you how hard but also satisfying writing a book can be.

      

How important is setting in your novels?

I set my novels in the area I've always lived in - and describing the countryside as it is now is very important - because I have an awful feeling that for generations to come, they might only know about it from literature from the past.

Who would you like to sit next to on a long flight? (Up to two people, living or dead.)

I don't fly - so I wouldn't ever find myself sitting next to someone! But on a train - hmmmmm. As for my 'dead' companion, I think I would quite like to see what Hereward the Wake would have to say. He must have been a real character - and lived during a fascinating time in history. As for my live candidate - probably the astrophysicist, Dr Cox. It must be really something to know so much about the universe and how it works - and I could listen to that sort of stuff all day long! (Not necessarily understand it mind!)

What are you most proud of, specifically in relation to your writing – an award, story or plot twist?

The only award I've ever won was when I first began writing as Maxine Barry. These were modern romances, and I won the Scarlet Award. I still have the silver platter on my bookcase. Mind you, I was the ONLY one to win it, since soon after, my publisher at the time joined forces with Constable, and they stopped producing romances and concentrated on crime instead. (You have to laugh at the irony!)

I suppose the only thing you might say I had any right to be proud of (more like surprised really) was to have got published at all. At the time I started writing, there was no self-publishing industry and it took me 5 years to get my first novel published (by Orion). I was beginning to think it wouldn't happen - but I stubbornly never gave up. So my advice to anyone struggling to find writing success is always the same - don't give up!

Faith, many, many thanks for coming. It’s been such a pleasure talking with you. With all your achievements, you remain so modest and funny - a shining example to us all. 

The most delightful building in London.

Most people who take an interest in history know that King George III was afflicted by a long period of madness that we now understand to have been caused by the disease, porphyria. It's perhaps less well known that he was the first British king to take an interest in science, amassing over his lifetime a very fine collection of scientific instruments and clocks.

In the 1760s, he commissioned the most popular architect of the day, William Chambers, to build him an observatory at Richmond upon Thames, now part of London but at that time, out in the country. Landscaping was provided by Capability Brown.

The building was completed in 1769, in time for the King, the Queen, and two astronomers to observe the Transit of Venus, the passage of Venus across the sun. Occurring only rarely, the transit was thought to provide a method of measuring the distance from the earth to the sun, as well as of determining the size of the universe. Two obelisks were also set up in the park to create a meridian line, and before the Royal Observatory moved to Greenwich in the 19th century, Mean Time was calculated from Richmond.

In the twentieth century, the King's Observatory became the headquarters of the Meteorological Office. It was from there that the weather forecast was taken to decide when to launch the troops into France on D-Day. The two sheds used in forecasting, the only Grade I listed sheds I've ever come across, still stand in the grounds. They were built without nails so that they would be non-magnetic.

A detail from the Chinese wallpaper in the dining room. William Chambers had visited Canton on two occasions, and a lot of the interior decoration reflects his interest in Chinese art.

Parts of the stunning collections of Chinese and Georgian porcelain on show

The building's fortunes declined after the Met Office's departure, but it has now been restored to its former glory by the current leaseholder, a wealthy and philanthropic businessman, who, like Chambers, has a great interest in Chinese art. The freehold remains the property of the Crown.

 

Adventure on the high seas for Inspector de Silva!

I'm delighted to announce that the latest Inspector de Silva mystery is now available on Amazon in Kindle and paperback. To grab your copy, just click on the image in the side-bar or go to:
https://www.amazon.com/Passage-Nuala-Inspector-Silva-Mysteries-ebook/dp/B07PK43L7H/ref=sr_1_fkmrnull_1?keywords=passage+from+nuala&qid=1552319162&s=gateway&sr=8-1-fkmrnull

Local Hero

With the imminent launch of the new book in my Inspector de Silva series, which sees de Silva and Jane off to Egypt to visit the Pyramids, in mind, how could I refuse when I had the chance to ride a camel on a recent trip to Lanzarote in the Canary Islands?

My husband and I visited the island hoping for winter sun, but found there was so much more to do there, not only riding camels! A highlight of the trip was discovering the work of their most famous artist, Cesar Manrique (1919 - 1992). I have to admit, we'd not heard of him before. He had an amazing career as an artist, architect, designer, sculptor, and activist. When tourism took off in Lanzarote in the late 1960s, he was the driving force in the campaign to prevent the island being spoiled by insensitive development, with the result that, for the most part, you see  low-rise buildings in the traditional Moorish style, rather than concrete and glass monsters.

One of Manrique's houses is now home to the Cesar Manrique Foundation, a beautiful, airy gallery where some of his work is displayed.

 In the basement, we marvelled at the rooms he designed out of the spaces left by gigantic larva bubbles, the result of Lanzarote's volcanic terrain. The walls are partly plastered and whitewashed and partly left in the original basalt rock, creating a striking contrast.

Another treat was a visit to the house where he spent the last years of his life, before, tragically, he died in a car crash. The old building he restored is delightful: traditional in materials and construction but brought up to date with all mod cons and a gorgeous pool, and surrounded by colourful gardens.

Manrique was interested in the art of painters like Mark Rothko and Jackson Pollock and emulated the scale of their paintings using vast canvases that he worked on on the floor of his studio. He also loved to use a variety of materials to build up texture in his paintings, for example sawdust, resin and glue.

The house is on the edge of a small town in the north of the island called Haria. I like to think that Manrique, a ferociously hard worker, occasionally found time to enjoy an espresso and a chat with other locals at the delightful café in the shady main street. 

Coming Soon!

The Lion, the Witch and the Wardrobe

The dark, winter months are a great time for curling up with a book, and I find that it's also a time when  my thoughts turn to books that I loved when I was a child.

A particular favuorite was C.S. Lewis's The Lion the Witch and the Wardrobe, the first of The Chronicles of Narnia. C.S.Lewis spent some of his youth in the Surrey Hills area of the UK where I live. He arrived to stay in the house of a private tutor to whom his father sent him to finish his education, up until then, a very unhappy period of his life.

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In his autobiography, Surprised by Joy, Lewis describes his time under the tutelage of William T. Kirkpatrick, the retired headmaster of his father's old school, as one of the happiest of his life. The Surrey Hills are a beautiful part of south-east England, still unspoiled in spite of their proximity to London. At the beginning of the twentieth century, they must have been even more idyllic. Lewis went on to spend the majority of the rest of his life at Oxford University, but he retained a fondness for Surrey. It's thought that Kirkpatrick was the model for the professor in The Chronicles of Narnia.

Narnia fans were delighted when, a few years ago, the conservators of Banstead Common, an area not far from the Surrey Hills, decided to commemorate Lewis's famous stories with a sculpture trail created from standing deadwood. It’s something that will, I'm sure, give great pleasure to many future generations of adults and children.

I'd love to hear about your favourite childhood books and any stories associated with them that you'd like to share.